The Mute Gods, featuring Nick Beggs (Steven Wilson, Steve Hackett), Roger King (Steve Hackett) & Marco Minnemann (The Aristocrats, The Sea Within), recently announced the release of their third studio album ‘Atheists and Believers’ for March 22nd, 2019.
Today they are pleased to reveal the titled track of the album, which you can listen to here:
‘Atheists and Believers’ will be released on Limited CD Digipak, Gatefold 180g 2LP + CD & as a digital album. You can find the full track-listing below:
1.Atheists and Believers
2.One Day
3.Knucklehead
4.Envy the Dead
5.Sonic Boom
6.Old Men
7.The House Where Love Once Lived
8.Iridium Heart
9.Twisted World, Godless Universe
10.I Think Of You
The Mute Gods is the musical vehicle Beggs created in 2015 to channel his song writing. It was conceived while he was embarking on an intensive period of almost continuous touring, firstly with former Genesis guitarist Steve Hackett and then latterly, Steven Wilson, the prolific, widely-acclaimed composer, musician and record producer with whom Beggs still records and tours.
Beggs’ career spans nearly four decades, working with artists across a broad musical spectrum. Bassist, stick player, composer and vocalist, Beggs has sold more than three million records with his own groups, including Kajagoogoo, as well as contributing to genres such as pop, rock, funk, soul, Celtic and latterly, progressive rock.
Among the artists with whom he has collaborated are rock and pop legends John Paul Jones (Led Zeppelin), Belinda Carlisle, Kim Wilde, Gary Numan, Seal and Engelbert Humperdink, as well as progressive rock’s Steve Howe, Rick Wakeman, Iona and Lifesigns.
Alongside Beggs in The Mute Gods are his regular collaborators Roger King and Marco Minnemann. King is the keyboards player, guitarist and producer of Atheists and Believers, and Steve Hackett’s right-hand man for more than 20 years. Minneman, who has also played with Joe Satriani, is regarded as one of rock’s most exciting drummers and has worked with Beggs on Wilson tours and recordings.
