Featured image: Geoff Bailie
Sunday night, October 20th, in London, marked a monumental event in the world of progressive metal. Dream Theater launched their highly anticipated 40th-anniversary tour, made even more significant by the return of founding drummer Mike Portnoy. After a 15-year hiatus from the band he co-founded, Portnoy’s reappearance reignited the passion of a fanbase that had waited years for this reunion. Hosting a nearly three-hour set at the legendary O2 Arena, a rare feat for any progressive metal act, the band drew over 10,000 dedicated fans, many of whom traveled across the globe to witness this historic occasion.
The night was not just a milestone for Dream Theater but a defining moment for the fans as well. The excitement in the air was unmistakable, from the massive lines at the merchandise stands to the sea of fans proudly donning both vintage and brand-new Dream Theater shirts. Weeks of speculation had culminated in this singular event, with fans and outlets like The Prog Report eagerly discussing setlist predictions, the much-anticipated opening song, and the band’s chemistry. Adding to the anticipation was the recent announcement of their new album Parasomnia and the release of its first single, “Night Terror,” just days before the show. But the true question on everyone’s mind was: how would it feel to see Mike Portnoy reclaim his throne behind the drum kit after all these years?
The lights dimmed promptly at 7:25, and the opening chimes of “Metropolis” echoed through the venue, sending the audience into a roar of excitement. The band made their way onto the stage, concealed behind a curtain that dropped as the drums kicked in, revealing them in full force, and we were off. The first song was a powerful one—seeing Mike Portnoy drumming to this iconic track as the show began was truly breathtaking.
They seamlessly transitioned into “Overture 1928” and “Strange Déjà Vu” from Scenes from a Memory, elevating the energy even further. It was clear the band was having a blast on stage. The metal onslaught continued with “The Mirror” and “Panic Attack,” keeping the momentum going. Next up was “Barstool Warrior,” one of two songs from the Mangini era, which, though a surprising choice, fit perfectly into the set. Hearing Portnoy play this track was a special moment. The band then slowed things down with “Hollow Years,” which was met with huge applause. The sight of phones lighting up the venue created a beautiful atmosphere. They wrapped up the first set with the heavy hitters “Constant Motion” and “As I Am.”
The first set featured mostly shorter, heavier tracks, maintaining an incredible energy throughout. Portnoy, as if he had never left, was perfectly in sync with the band, bringing his signature intensity to the performance. John Myung, as always, was a stoic and masterful presence, while Jordan Rudess delivered thrilling moments with his keyboards, even breaking out the keytar. John Petrucci, year after year, continues to amaze as one of the best guitarists in the world, nailing every section with precision and ease. As for James LaBrie, often unfairly criticized, he turned in one of his strongest performances in a while, adjusting melodies at times and engaging warmly with the audience, repeatedly thanking fans for their unwavering support over the years, and especially for this night. It’s also worth pointing out the outstanding production with video screens backing each song, and even a few lasers appearing throughout the show.
After a brief intermission, a short video intro led into the new single “Night Terror,” a killer new song that already has over 2 million views on YouTube. Everyone in the audience already knew the song. Then in a surprise twist, a second Mangini era track was played, this time the track “This is the Life,” a ballad from A Dramatic Turn of Events. Next was another Images and Words classic “Under A Glass Moon” featuring that iconic Petrucci guitar solo. The surprises kept coming as the band dove into “Vacant” followed by the instrumental powerhouse “Stream of Consciousness” from Train of Thought, both delivering a perfect balance of emotion and technical mastery.
The second set closed with the epic “Octavarium,” which excited the audience who had not heard the fan favorite live in almost 2 decades. The middle instrumental section is one of the group’s most challenging sections and it proved no match for Petrucci, Myung, Rudess, and Portnoy.
A video from The Wizard of Oz appeared with Dorothy saying ‘There’s no place like Home” which led into the band performing “Home” from Scenes from a Memory. The band was on fire during this track, and the energy in the venue was electric, with the audience erupting in excitement.
They then slowed things down with one of their most beloved songs, “The Spirit Carries On,” as the arena was once again illuminated by a sea of phone lights, creating a breathtaking atmosphere. To close out the night, the band performed the song that started it all, “Pull Me Under.” It was a fitting and perfect choice, bringing an unforgettable evening to a triumphant end.
If you were there, you know just how special the night was. This is our band—the one we all know is the best in the world. It was a moment for both the band and the fans to revel in everything they’ve accomplished, while also looking ahead to all the greatness they’ll continue to deliver in the years to come.
This reads like a promotional puff piece for the band. James LaBrie “unfairly criticized?” No. Not at all. His position in the band right now is purely due to luck, and several other people were fired from the band after doing a much better job than him. If James is proficient at his job, why have the vocals on most of Dream Theater’s “live” releases been tampered with?
Am I the only one who believes LaBrie won’t last long? He’s surrounded by the best musicians on the planet. And they all know that LaBrie’s best days are over. It’s ok. He’s 60. Happens. And then most of those songs are fucking difficult to sing. But if they want to keep being looked at as the most impressive quintet in the rock/metal/progressive world, then, alas, LaBrie needs to go.
Great review. It was a wonderful night. We drove down from Edinburgh for the privilege. Wouldn’t have missed it for the world. Haven’t felt corporate prog energy like that since Rush’s Clockwork Angels tour.
Not much of a review. More like reporting.
Would like to hear more about the musicians, especially LaBrie, whose vocals seem to be waning.
Just because we didn’t trash LaBrie doesn’t make this not a review. The review is it was a great show.
Awesome review, thank you! Cannot wait to see them at Radio City NYC. Have to wait 5 months omg! Do you have any info about when they might record the live show? They did it at Radio City before for Score; how much more epic now for their 40th anniversary? Oh I hope so! Also, we know MP was known for changing up their set lists during tours in the past. You think he’s going to do that again this time around? And please turn up the praise for James. He deserves much more accolades than what what he gets on social media! Thanks again!! Look forward to your podcast & You tube. You guys are awesome fans/reviewers.
When I spoke to MP, he said they would stick with this setlist for “a little while” as they all “get settled back in”. I fully expect the US tour to be promoting the new album and RCMH to be filmed.
Thanks Fran!
I was rewatching the episode where you guys selected the set list for this concert and, aside the fact the order is out of place, most songs were accurate – almost 50% accurate. Very good! I an un hopes they add Finally Free for MPs solo sakes and The Best of Times which is my sons favorite song…
Great review! Awesome gig!
Congrats!
Great review! Have tickets to see them in Connecticut, can’t wait to go! Totally agree with you on James, he’s the voice of DT. There’s so many songs I can’t even think of being sung by anyone else. True fans know what James really means to the band, just ask any of his band mates.
‘Often unfairly criticized’??
The guy cannot sing these songs anymore. There is no fair critique that you people would accept when it comes to LaBrie
Not true, but these fans are also way to critical and downright mean.
Lol ok, that was all a bit generous. I mean hey they sound good, minus James, but that’s ok we’re used to that. My main gripe is that there’s a distinct drop in drum quality. I love Portnoy but man Mangini was way better.
I’m from Brazil, and for the first time since ’05 I’ll not go to a DT concert here (prices to high, have a kid to grow) . I confess, as I read this review (and a good one, suck that, haters) I was breathing in and out like I was at the show!
Thank you for the review. I was there – flew from Fresno California. It was a magical evening, and I appreciated the fact that the band truly appreciated us being there to fulfill their dream. What a great setlist!
I can confirm the review to 100% after having attended their show last night @ Palladium in Cologne – magic, memorable, a DT milestone (even if LaBrie didn’t catch the high notes in some songs)!
for an anniversary like this i would have expected more surprises, instead we heard 90% of the songs played in the past years.
did it just seem to me that some parts of several songs were played in a hurry (faster than originally on the cd)?
And the guitar was over-effected.”